His father turned, and he followed the stiff black coat, the wiry figure walking a little stiffly from where a Confederate provost’s man’s musket ball had taken him in the heel on a stolen horse thirty years ago, followed the two backs now, since between the two lines of grim-faced men and out of the store and across the worn gallery and down the sagging steps and among the dogs and half-grown boys in the mild May dust, where as he passed a voice hissed:
Satan Cast out of Heaven
Gustave Dore 1866
Him the Almighty Power
Hurled headlong flaming from th’ ethereal sky,
With hideous ruin and combustion, down
To bottomless perdition, there to dwell
In adamantine chains and penal fire,
Who durst defy th’ Omnipotent to arms.
-Paradise Lost (I.44-49)
Seeing as Dore and Blake are my two favourite illustrators, I decided to make a little side by side comparison from the five first cantos of Inferno
And older still, he might have divined the true reason: that the element of fire spoke to some deep mainspring of his father’s being, as the element of steel or of powder spoke to other men, as the one weapon for the preservation of integrity, else breath were not worth the breathing, and hence to be regarded with respect and used with discretion.